June 2020
Steve Klepetar
sfklepetar@icloud.com
sfklepetar@icloud.com
Author's Note: We’re still on lockdown in Massachusetts as I write this
at the beginning of May, still reading dystopian novels and whatever else I can get
my well washed hands on as an e-book from my library. So here are two poems that have
something to do with each other, but nothing whatever to do with epidemics or bleach
or the nightly circus that had been parading across our TV screens.
Behind the Blue Chair
Where my aunt stood, behind the blue chair, where she waited for night to fall, that was a sacred space, a hot spring bubbling in the middle of her living room. She waited there for hours, eyes trained on the window as the sun moved down across the hills. I watched her once when I visited my cousins. They paid her no mind, had seen it all too many times. They felt her stare like an iron weight on their lungs. They were ready to run, ready to tumble through the house laughing, banging against chairs. I loved how they looked like me, what I might have looked like as a girl, not exactly, but lithe and quick on their long legs. They could leap stairs, hang upside down on the monkey bars, squeal notes so high the windows shook. My aunt stood behind her chair, eyes burning, mouth a black hole through which air whistled as the girls twisted their backs to the darkening trees.
Schadenfreude
My aunt comes into the house overjoyed. “That bastard next door fell and broke his arm,” she crows, the thrill of Schadenfreude dancing in her blood. For years she’s hated him, his hard mouth shouting at my cousins to get the fuck off his lawn, threatening with a broom, as they laugh and scamper by. His milk sours on the stoop, his newspaper blows around, hangs in the branches of our maple tree. The Vulgar Boatman, she calls him, swears he’s a secret Nazi who ran a camp. They scream at each other in Czech, as twilight filters through pines, dimming the sky.
©2020 Steve Klepetar
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